“We stay in a society of males generally. It’s the males who make the legal guidelines, and so they apply them, and so they management issues, even when there are ladies parliamentarians or judges or related. ‘East and West endure from classism in relation to males.’ This is among the statements of the late Egyptian director Muhammad Khan, who died on July 26, 2016.
That is how he seemed on the society he lived in all through his life, which inspired him to attempt to change society’s view of ladies by way of his works, particulars and d different points he wished to current.
Khan and girls’s particulars
Muhammad Khan is taken into account the “king of female particulars”.
We discover him within the movie “A Dinner Date”, he was in a position to attract the dreamy lady in a easy world oppressed in her marriage, by way of Soad Hosni, they painted collectively the seems of the frightened lady who felt everlasting insecurity with deviant glances, and enriches these emotions with suffocating decorations suggesting the disaster to which the heroine is uncovered, till after her divorce and rid of this repression. Curiosity has additionally arisen in garments and hair ties, that are the issues that deliver pleasure to ladies’s hearts. With Ahmed Zaki, Hussein Fahmy and Zozo Madi.
Khan continued his consideration to the small print of ladies by way of “The Spouse of an Essential Man”, to discover a cinematic shot that flirts with the “earrings” or coiffure of the heroine whose hero tries to nearer, or his worn-out garments on account of his melancholy.
Muhammad Khan’s imaginative and prescient of Abdul Halim Hafez
Regardless of the celebrity that the director Muhammad Khan had within the Arab world, his creative historical past didn’t exceed 30 cinematographic works with out dramas or performs, 26 movies he made.
And “The Brown Nightingale”, Abdel Halim Hafez, was a part of the material of those movies, as if Khan all the time underlined the historic stage of the Nightingale within the lifetime of the Egyptian folks and its affect on many private occasions in his works.
Nightingale appeared within the movie “The Harp”, starring Adel Imam, in a picture which the hero places on the wall for the sake of his favourite singer, and Khan approached the picture in lots of scenes, together with with the character of the romantic hero witnessed the occasions of the movie.
And took part in “Al-Hareef” with: Ferdous Abdel Hamid, Abdullah Farghali and Zizi Mustafa, and it was written by Muhammad Khan, and the screenplay and dialogue by Bashir Al-Deek.
The presence of Abdel Halim Hafez was additionally extra evident within the movie “The spouse of an essential man”.
The movie was devoted to “Time and Voice of Abdel Halim Hafez”, and left this phrase originally of the work badge, with Ahmed Zaki, Mervat Amin, Hassan Hosni and Nazim Shaarawy, and it was written, scripted and dialogued by Raouf Tawfik.
Khan’s concern for the marginalized
The late Muhammad Khan had mental tendencies within the movies he presents. Along with his curiosity in ladies, most of his curiosity was targeted on the marginalized and hottest class, and that is what we discover in all his movies, beginning with “Dinner Date”, in going by way of “Chook on the Highway”, then “Al Harif”, and “Goals of Hind and Camelia”.
He additionally featured “Mr. Karate”, “Clifty”, “Fares Al-Madina”, “Downtown Ladies”, and “Heliopolis Condo”, ending with “Manufacturing unit Lady”, in every of which he voiced a distinct type of marginalized . .
Meals in Muhammad Khan’s movies
One of many particulars that the late director Muhammad Khan cared about was meals, and this curiosity existed from his first work “Eating at Dinner”, which was the meal “Musaka’a”, which was the ending with which the hero and the heroine was poisoned on the finish of the work, to take revenge on her lover.
The film that confirmed probably the most curiosity in meals was the film “He went out and did not come again” as a result of it relied closely on meals, as a lot of the scenes within the work revolved across the desk. to eat, which various in shapes and kinds.
As with the movie “Goals of Hind and Camelia”, meals was used to convey moments of calm throughout work and gatherings round heroes. As for the movie “Metropolis Ladies”, Muhammad Khan determined that meals needs to be an indication of the start or finish of relationships through the occasions of the movie, in accordance with what he mentioned in one in all his earlier interviews. the movie’s hero Khaled Abul-Naga when in addition they met over the meals he was getting ready.
With all the above, one can solely say that the late director Muhammad Khan is the king of cinematic element, having tried to attach with audiences of every kind by way of an inventive desk stuffed with feeling, ardour and element.